'What's the actual hip hop?' 'To whom does hip hop belong?' 'For what constructive functions can hip hop be put to make use of?' These are three key questions posed by hip hop activists in Hip Hop Versus Rap, which explores the politics of cultural authenticity, possession, and uplift in Londons post-hip hop scene. The guide is an ethnographic research of the identification, position, formation, and practices of the natural intellectuals that populate and propagate thisawarehip hop milieu. Turner offers an insightful examination of the work of artists and practitioners who use hip hopoff-streetwithin the spheres of youth work, schooling, and theatre to lift consciousness and to develop inventive and private expertise. Hip Hop Versus Rap seeks to painting how cultural activism, which kinds itself grassroots and mature, is framed round a discursive opposition between what's genuine and moral in hip hop tradition and what's counterfeit and corrupt. Turner identifies that this play of distinction, framed as an moral schism, additionally presents hip hops natural intellectuals with a story that allows them to align their rebel values with these of coverage and to thereby obtain institutional assist. This enlightening quantity shall be of curiosity to post-graduates and students keen on hip hop research; youth work; important pedagogy; younger folks and crime/justice; the politics of race/racism; the politics of youth/schooling; city governance; social motion research; avenue tradition research; and vernacular research.

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